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Saudi Arabia Isn’t Having a Feminist Revolution

When it comes to women’s rights, Saudi Arabia takes baby steps to a whole new level of infancy. (In utero steps? Spermy steps?) Sure, the King Khalid Charitable Foundation launched the country’s first ever anti-domestic-violence ad last month, but women are still unable to defend themselves against those same domestic-violence cases in court. In 2013. 

One other huge breakthrough that I’m sure would have Susan B. Anthony setting off streamers in her grave is new legislation that allows women to ride bicycles. Granted, they still have to be supervised by men—but bicycles! Think of the endless freedoms that come with finally being able to cycle around Riyadh, a city not built with cyclists in mind whatsoever!

Oh, also, girls in private schools are now allowed to play sports, but girls in state schools still can’t. So, much like in other parts of the world, the amount of rights a person gets depends entirely on their wealth. 

Despite these forward-thinking changes, Saudi Arabia was still ranked 131 out of 134 countries for gender parity in the 2012 World Economic Forum Global Gender Gap Report. So recent, optimistic reports of Saudi Arabia going through a “feminist revolution” seem a little off the mark.

I spoke to Nouf Alhimiary, a 20-year-old photographer from Jeddah, about the challenges she faced when trying to put on an art exhibition about Saudi women in a country where basically every minutely inflammatory art piece gets banned from public display.

VICE: Hey, Nouf. How come you were only allowed to display half of your exhibition?
Nouf Alhimiary:You know that thing where you take a picture of your outfit every day and post it on Instagram or Twitter? I thought it was interesting that a lot my Saudi friends do that when they’re out of the country, but can’t do it here because they have to wear the exact same thing every day: the abaya. I wanted to create a parody of that by photographing women wearing the same thing in different places. I wanted to call it What She Wore/ What She Wore Underneath. The plan was to take pictures of all these women in the abaya, take pictures of whatever they were wearing underneath, and then display both pictures together.

But you weren’t allowed to do that?
The curator for the Mostly Visible show told me I couldn’t do it because the government would have rejected it. In Saudi Arabia, the government has to look at every art project that’s going to be exhibited to decide whether or not it can be displayed. The curator told me that if I included pictures of women outside their houses not wearing the abaya, they wouldn’t display it.

So what did you do?
I settled for What She Wore, which I actually like because it makes you ask, “Why do all these women look like they’re wearing a uniform?” But even though I only displayed pictures of women in the abaya, a lot of people at the exhibition came up to me and asked, “Why are you trying to change women?”

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